Violet Cold - Empire Of Love

Violet Cold is an experimental AI simulated music project from 40°22’37.7″N 49°50’51.6″E. It is also one of the weirdest, coolest musical things I know of.

Across something like 50 albums in the last eight years, Emin Guliyev has forged his own sonic world. Build out of whatever strikes his fancy, from ambient, noise, house, drum and bass, jazz, classical, folk, shoegaze, sludge, crust, powerviolence, post-rock, post-black metal and depressive black metal, Violet Cold is a towering rebuke to every supposedly "prog" band out there. This my friend, is how you prog. This is how you avant-garde. This man has trained computers to write better metal than the sum total of all Guitar Center part-time employees combined.

Best described as "Militantly Anti-Fascist Astral Black Metal Dream Pop" this album takes yet another step into the musical (and political) future I hope we one day all inhabit. I am particularly impressed with the "Daft Punk as a post-metal band" vibe of "Be Like Magic" and the uplifting Japanoise style black metal power ballad "We Met During the Revolution".

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Non Serviam - Work

In 1886, workers gathered in Chicago to protest in support of limiting working hours to 8 per day instead of the usual 12-14. A bomb was planted by capitalists, which exploded and began a panic that was later smeared as a riot. The police, as American police always do, began shooting. They killed eleven people, and in doing so, kick started the modern labor movement. Every May 1st we pay homage to these martyrs of labor by downing tools for a day, to honor their sacrifice and to flex the muscle of the only class that has ever built anything. Today is for reminding the capitalist class and their boot-licking sycophants that they need us, but we have never needed them. What better way to kick off that day than with some French anarchist black metal cut up artists making an album about work and it's uselessness to modern people? This album is anarchic in all meanings of the word. "We have no compassion and we ask no compassion from you. When our turn comes, we shall not make e...

Coffin Lurker - Foul and Defiled

Industrial sludge death doom funeral noise from Oakland. Maurice De Jong is the most prolific dude in music, I am certain. Gnaw Their Tongues , Cloak of Altering , De Magia Veterum , Dodenbezweerder are just a few of his projects. Apparently Rene Aquarius from Imperial Cult decided that he would challenge Maurice to a doom-off, and the loser would have to sweep up after the planet was destroyed. This is the sonic record of that planetary destruction. It is also one of the best doom records I've ever heard. Thankfully free of Sabbath worship and lazy rehashing of every boring stoner riff imaginable, this is actually a brand new thing. Suffocatingly vile and planetarily heavy, this is the answer to the unasked question "what would happen if Sunn 0))) were from New Orleans. Foul and Defiled by Coffin Lurker

THROANE - Une balle dans le pied

"Une balle dans le pied" is the lacerating new EP from THROANE, the unsettling sonic incarnation of lauded multi-disciplinary artist Dehn Sora. This latest work finds THROANE engaged in a particularly violent form of void surgery, as the diseased tissue of nightmarish Black Metal, wall-of-sound Doom, Industrial, Noise and Dark Ambient is ripped, reformed and reanimated into a lightless chimera of savage beauty. In Sora’s own words: “THROANE is a project based on instinct. ‘Une balle dans le pied’ translates as ‘A bullet in the foot’, a French expression symbolizing the act of sabotaging oneself. Two tracks, forming one, exploring the language of rhythm and forming a bridge for future full-lengths. As with each release, this composition is the fruit of a short time, an accumulation leading to the need for explosion.” Cover artwork depicts Sora's sister, in echo of previous releases featuring close individuals and the personally symbolic: “Working as a...

Trumpet of Amdusias

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