Any day with a new album from Panopticon is a good day. A day with a new Panopticon album dedicated to John Prine is exceptional.
This is an immense (1 hour plus) slab of very doom-laden atmospheric black metal, full of the vastly expanded musical instrument collection of A Lunn. Featuring Guitar, Drums, Bass (4, 8 and 12 string), Keys, Lap Steel, Pedal Steel, Banjo, Square Neck Resonator, Acoustic Guitar and Bass, and Mandolin, not to mention two guest(?) musicians playing cello and violin. This is orchestral in size, if not in arrangement.
Lunn separated his music into two distinct halves on his previous album, The Scars of Man on the Once Nameless Wilderness. The scalding metal offerings and bluegrass-inspired americana here are reassembled, and better integrated than ever before. Adding more ambient and post-rock passages and tropes, along with spoken word samples, makes for a much more interesting album.
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