Nadja - Luminous Rot

Nadja is a duo of multi-instrumentalist Aidan Baker and bassist Leah Buckareff—active since 2005—and making music which can be described as ambient doom, dreamsludge, or metalgaze. Nadja’s signature sound combines the atmospheric textures of shoegaze and ambient/electronic music with the heaviness, density, and volume of metal, noise, and industrial. Think Cocteau Twins meets Sunn 0))).

For the new album, Luminous Rot, the duo retain their overblown/ambient sound, and explore shorter and more tightly structured songs reflecting their interests not only in metal, but post-punk, cold-wave, shoegaze, and industrial.

Thematically, the album explores ideas of 'first contact' and the difficulties of recognising alien intelligence. This was in part inspired by reading such writers as Stanislaw Lem and Cixin Lui, as well as Margaret Wertheim's "A Field Guide To Hyperbolic Space," about mathematician Daina Taimina's work with crochet to illustrate hyperbolic space and geometry.

Mixed by David Pajo famously of Slint, Stereolab, Yeah Yeah Yeahs, and Interpol. The band comment, “as big fans of Slint, we thought he might fore-front the more angular, post-punk elements of our music - the mix is quite different from our previous albums. But, as usual, we had James Plotkin (Khanate, OLD, etc) master the album as we trust his ears and aesthetic, as he's mastered numerous records of ours."

Comments

Agriculture - Agriculture

a While calling themselves ''ecstatic" black metal, Agriculture traipses along the line between atmo-black and blackgaze pretty adroitly. I am not as head over heels as some of the metal press I have been reading about them (like Rolling Stone for instance), but I think they have a good thing going here. They remind me of Vattnet Viskar sort of, and I am going to withhold judgement until I can see them live to really decide. That said, this is an album that has been in heavy rotation at my house since its release. Agriculture by Agriculture

葬尸湖 (Zuriaake) - 孤雁 (Gu Yan)

The thing I continue to love about this album, now five years after it came out, is how unabashedly Chinese it is. For me, there is nothing quite so nice as taking something from somewhere else and adapting it to your particular circumstance, whether it be food, music, or whatever else. The world is filled with terrible Nordic imitators, so I am always really stoked to see bands who lean in hard to their local scene / culture / roots. This is probably one of the albums that really sent me down that path, and I will always be indebted to Zuriaake for that. Gu Yan is an epic, sprawling, even cinematic, album, and should appeal to fans of bands like Wolves in the Throne Room and Primordial . Musically, there are serious elements of Summoning here, but most of this album is utterly unique to Zuriaake and the atmosphere they build is entirely their own. Traditional instruments back up the backbone of the sound, not as a gimmick, but as the bedrock on which the whole edifice rests. ...

Dødsferd - Skotos

Raw atmospheric black metal it it's sun soaked Mediterranean best. Wait... That's not right. Oh, but it is. For 20 years, Greece has been the home of Dødsferd since it's beginning as a one-man side project. Now, 10 albums, as many splits and EPs, and five comps, two new songs are available. Packaged with a re-release of the landmark album 'Diseased Remnants of a Dying World', what you have here is the pinnacle of what raw atmo-black can be. A full LP of this would easily be Album of the Year. I can still hope right? Skotos (Atmospheric Black Metal) by DØDSFERD (Greece)

Trumpet of Amdusias

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