Nadja - Luminous Rot

Nadja is a duo of multi-instrumentalist Aidan Baker and bassist Leah Buckareff—active since 2005—and making music which can be described as ambient doom, dreamsludge, or metalgaze. Nadja’s signature sound combines the atmospheric textures of shoegaze and ambient/electronic music with the heaviness, density, and volume of metal, noise, and industrial. Think Cocteau Twins meets Sunn 0))).

For the new album, Luminous Rot, the duo retain their overblown/ambient sound, and explore shorter and more tightly structured songs reflecting their interests not only in metal, but post-punk, cold-wave, shoegaze, and industrial.

Thematically, the album explores ideas of 'first contact' and the difficulties of recognising alien intelligence. This was in part inspired by reading such writers as Stanislaw Lem and Cixin Lui, as well as Margaret Wertheim's "A Field Guide To Hyperbolic Space," about mathematician Daina Taimina's work with crochet to illustrate hyperbolic space and geometry.

Mixed by David Pajo famously of Slint, Stereolab, Yeah Yeah Yeahs, and Interpol. The band comment, “as big fans of Slint, we thought he might fore-front the more angular, post-punk elements of our music - the mix is quite different from our previous albums. But, as usual, we had James Plotkin (Khanate, OLD, etc) master the album as we trust his ears and aesthetic, as he's mastered numerous records of ours."

Comments

Agriculture - Agriculture

a While calling themselves ''ecstatic" black metal, Agriculture traipses along the line between atmo-black and blackgaze pretty adroitly. I am not as head over heels as some of the metal press I have been reading about them (like Rolling Stone for instance), but I think they have a good thing going here. They remind me of Vattnet Viskar sort of, and I am going to withhold judgement until I can see them live to really decide. That said, this is an album that has been in heavy rotation at my house since its release. Agriculture by Agriculture

2022 Year In Review

Yeah, I have been MIA for 18 months. So what? You don't pay for this blog, I do. And I've been really busy starting my permaculture farm / goat cult in the abandoned mountains of northern Spain. Now that things are appropriately sustainable and grim, I am back to vomit my opinions on music all over the internet some more. Let's dive back into things with a wrap up of 2022. Here are my favorite-ish albums of the year, along with why they are superlative. Best Aural Approximation of a Mental Health Crisis Chat Pile - God's Country Would you like to know what it sounds like to be stuck in a trailer in the middle of nowhere USA with none of the drugs you need to forget exactly how terribly and awfully fucked your life is? Are you interested in turning the collective despair of a small town poisoned by unregulated mining and refining into a howl of impotent protest? Would you like to peel back the facade of "faith, family, farm" to gaze at the raw and bloody dis...

Perturbator - Lustful Sacraments

This album answers an incredibly important question: What if Rick Deckard was a goth? A goth replicant that could pass the Voight-Kampff test easily. More importantly, it provides a stunning backdrop to the writing I am supposed to be doing, but keep avoiding. French composer James Kent has always been something of a polarizing figure. Much of his earlier work has been very HOTLINE MIAMI style synthwave. This is most definitely NOT THAT. Instead you a weird robot sex soundtrack - a post-punk mood piece cloaked in goth rock nihilism and sexual malevolence. Gritty, misanthropic, but still atmospheric and ambient, this is some nice stuff! Lustful Sacraments by PERTURBATOR

Trumpet of Amdusias

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