Imagine if you will a 1990's full of raw kvlt black metal that wasn't also full of nazi LARPing bonehead teenagers.
Imagine instead that the raw lo-fi Scandinavian black metal sound was used to tell the stories of the predatory colonialism of Nordic Christians and the atrocities committed against the Sámi and other indigenous populations.
Imagine leveraging all the hate and fury of 2nd wave black metal against the church and cultural supremacists at home instead of against some scary "cultural invader" idea.
Well, you'd have a whole scene full of albums like this. And that would be 100% okay in my book.
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