Skip to main content

...Stay... - tears of happiness

 Highlights of 2023: part 1

I am (sort of) back, with plans to restart writing about music in 2024. As a teaser, I have some albums from 2023 I really enjoyed to share with you. In lieu of a top ten list, or an Album of the Year post, you instead get a small selection of albums I think were stand outs in the past year.

First up is ...Stay..., a depressive suicidal black metal one-man project in the vein of Sadness and None (one word dsbm band titles seem to be a through-line in my album picks).

I am a sucker for this type of dsbm. Depressive Suicidal Black Metal essentially comes in two forms: Goth dsbm, focused on mood and texture and calm despair; and school shooter dsbm, focused on shrieking anthems to, well, shoot up a school to. Both have their place in my rotation, but the gothier end of things is what I dig most.

Call it griefcore - music that attempts to lure you into drowning yourself in a swamp, to wandering into the woods alone never to be seen again. The sort of album that doesn't wonder if it can get the cops to shoot it once its shot all its classmates, but wonders if it kills itself inside a dumpster, would that inconvenience less people than if it did so in a bathtub.

This is a more metal focused offshoot of Fernando Mejía, the force behind A Rose Dying In The Rain, one of the best blackgaze projects going these days. Viva Guadalajara, Viva muerte

Labels

Labels:
Location: Langreo, Asturias, Spain

Comments

Post a Comment

Popular posts from this blog

Non Serviam - Work

  In 1886, workers gathered in Chicago to protest in support of limiting working hours to 8 per day instead of the usual 12-14. A bomb was planted by capitalists, which exploded and began a panic that was later smeared as a riot. The police, as American police always do, began shooting. They killed eleven people, and in doing so, kick started the modern labor movement. Every May 1st we pay homage to these martyrs of labor by downing tools for a day, to honor their sacrifice and to flex the muscle of the only class that has ever built anything. Today is for reminding the capitalist class and their boot-licking sycophants that they need us, but we have never needed them. What better way to kick off that day than with some French anarchist black metal cut up artists making an album about work and it's uselessness to modern people? This album is anarchic in all meanings of the word. "We have no compassion and we ask no compassion from you. When our turn comes, we shall not make e...
Post a Comment
Read more

Coffin Lurker - Foul and Defiled

  Industrial sludge death doom funeral noise from Oakland. Maurice De Jong is the most prolific dude in music, I am certain. Gnaw Their Tongues , Cloak of Altering , De Magia Veterum , Dodenbezweerder are just a few of his projects. Apparently Rene Aquarius from Imperial Cult decided that he would challenge Maurice to a doom-off, and the loser would have to sweep up after the planet was destroyed. This is the sonic record of that planetary destruction. It is also one of the best doom records I've ever heard. Thankfully free of Sabbath worship and lazy rehashing of every boring stoner riff imaginable, this is actually a brand new thing. Suffocatingly vile and planetarily heavy, this is the answer to the unasked question "what would happen if Sunn 0))) were from New Orleans. Foul and Defiled by Coffin Lurker
2 comments
Read more

THROANE - Une balle dans le pied

  "Une balle dans le pied" is the lacerating new EP from THROANE, the unsettling sonic incarnation of lauded multi-disciplinary artist Dehn Sora. This latest work finds THROANE engaged in a particularly violent form of void surgery, as the diseased tissue of nightmarish Black Metal, wall-of-sound Doom, Industrial, Noise and Dark Ambient is ripped, reformed and reanimated into a lightless chimera of savage beauty. In Sora’s own words: “THROANE is a project based on instinct. ‘Une balle dans le pied’ translates as ‘A bullet in the foot’, a French expression symbolizing the act of sabotaging oneself. Two tracks, forming one, exploring the language of rhythm and forming a bridge for future full-lengths. As with each release, this composition is the fruit of a short time, an accumulation leading to the need for explosion.” Cover artwork depicts Sora's sister, in echo of previous releases featuring close individuals and the personally symbolic: “Working as a...
Post a Comment
Read more