Harvestman - Music for Megaliths

I am a huge Steve Von Till fan, and not just because I have a serious case of beard envy. I have recently been on a listening kick of his projects, spurred by his newest solo album, which I'll post here soon. Anyway, this has reminded me just how incredibly good Music for Megaliths is.

Not far from my house is a dolmen, a megalithic tomb from the third century BCE. It happens to be one of my favorite places to walk, and near to where I am teaching my children to climb. Every time I hear "The Forest Is Our Temple", I am reminded of the dolmen, and have to go for a visit.

Ruins, monuments, and ancient sites of worship are multi-sensory experiences – at once residues of the sacred, the parchment on which the passage of time has been inscribed and templates for imaginative reconstruction, spaces in which to invest and immerse, to trade your bearings for an inexhaustible state of transition.

Released under the Harvestman moniker, this is a true Steve Von Till solo album, both in composition and execution.

This is European folk music through the Neurot lense; not quite the pagan spiritualism of a Wardruna, but not the full-on psychedelic drone of Neurosis either. Experimental Folk Music? Dark Pagan Neo-Folk? I don't know. Let's call it Folk Drone or Folk Ambient.

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Coffin Lurker - Foul and Defiled

Industrial sludge death doom funeral noise from Oakland. Maurice De Jong is the most prolific dude in music, I am certain. Gnaw Their Tongues , Cloak of Altering , De Magia Veterum , Dodenbezweerder are just a few of his projects. Apparently Rene Aquarius from Imperial Cult decided that he would challenge Maurice to a doom-off, and the loser would have to sweep up after the planet was destroyed. This is the sonic record of that planetary destruction. It is also one of the best doom records I've ever heard. Thankfully free of Sabbath worship and lazy rehashing of every boring stoner riff imaginable, this is actually a brand new thing. Suffocatingly vile and planetarily heavy, this is the answer to the unasked question "what would happen if Sunn 0))) were from New Orleans. Foul and Defiled by Coffin Lurker

SPECTRAL WOUND - A Diabolic Thirst

TRVE KVLT BLEK METAL. Black Metal Without Adjectives. However you want to signal that a band or an album is orthodox, foundational, traditional, what have you - this is it. 100% blast beats, tremolo picking, and wraith-rasp shrieks. This is crudeness as an art form. Spectral Wound are now the keepers of the black flame. There is zero nostalgia here. This is true modern black metal, but also exactly what 90's black metal was. I'm going to go ahead and predict that this will be my black metal AotY. It would take truly herculean effort to make better black metal than this. A Diabolic Thirst by SPECTRAL WOUND

Perturbator - Lustful Sacraments

This album answers an incredibly important question: What if Rick Deckard was a goth? A goth replicant that could pass the Voight-Kampff test easily. More importantly, it provides a stunning backdrop to the writing I am supposed to be doing, but keep avoiding. French composer James Kent has always been something of a polarizing figure. Much of his earlier work has been very HOTLINE MIAMI style synthwave. This is most definitely NOT THAT. Instead you a weird robot sex soundtrack - a post-punk mood piece cloaked in goth rock nihilism and sexual malevolence. Gritty, misanthropic, but still atmospheric and ambient, this is some nice stuff! Lustful Sacraments by PERTURBATOR

Trumpet of Amdusias

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