Harvestman - Music for Megaliths

I am a huge Steve Von Till fan, and not just because I have a serious case of beard envy. I have recently been on a listening kick of his projects, spurred by his newest solo album, which I'll post here soon. Anyway, this has reminded me just how incredibly good Music for Megaliths is.

Not far from my house is a dolmen, a megalithic tomb from the third century BCE. It happens to be one of my favorite places to walk, and near to where I am teaching my children to climb. Every time I hear "The Forest Is Our Temple", I am reminded of the dolmen, and have to go for a visit.

Ruins, monuments, and ancient sites of worship are multi-sensory experiences – at once residues of the sacred, the parchment on which the passage of time has been inscribed and templates for imaginative reconstruction, spaces in which to invest and immerse, to trade your bearings for an inexhaustible state of transition.

Released under the Harvestman moniker, this is a true Steve Von Till solo album, both in composition and execution.

This is European folk music through the Neurot lense; not quite the pagan spiritualism of a Wardruna, but not the full-on psychedelic drone of Neurosis either. Experimental Folk Music? Dark Pagan Neo-Folk? I don't know. Let's call it Folk Drone or Folk Ambient.

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Agriculture - Agriculture

a While calling themselves ''ecstatic" black metal, Agriculture traipses along the line between atmo-black and blackgaze pretty adroitly. I am not as head over heels as some of the metal press I have been reading about them (like Rolling Stone for instance), but I think they have a good thing going here. They remind me of Vattnet Viskar sort of, and I am going to withhold judgement until I can see them live to really decide. That said, this is an album that has been in heavy rotation at my house since its release. Agriculture by Agriculture

2022 Year In Review

Yeah, I have been MIA for 18 months. So what? You don't pay for this blog, I do. And I've been really busy starting my permaculture farm / goat cult in the abandoned mountains of northern Spain. Now that things are appropriately sustainable and grim, I am back to vomit my opinions on music all over the internet some more. Let's dive back into things with a wrap up of 2022. Here are my favorite-ish albums of the year, along with why they are superlative. Best Aural Approximation of a Mental Health Crisis Chat Pile - God's Country Would you like to know what it sounds like to be stuck in a trailer in the middle of nowhere USA with none of the drugs you need to forget exactly how terribly and awfully fucked your life is? Are you interested in turning the collective despair of a small town poisoned by unregulated mining and refining into a howl of impotent protest? Would you like to peel back the facade of "faith, family, farm" to gaze at the raw and bloody dis...

Coffin Lurker - Foul and Defiled

Industrial sludge death doom funeral noise from Oakland. Maurice De Jong is the most prolific dude in music, I am certain. Gnaw Their Tongues , Cloak of Altering , De Magia Veterum , Dodenbezweerder are just a few of his projects. Apparently Rene Aquarius from Imperial Cult decided that he would challenge Maurice to a doom-off, and the loser would have to sweep up after the planet was destroyed. This is the sonic record of that planetary destruction. It is also one of the best doom records I've ever heard. Thankfully free of Sabbath worship and lazy rehashing of every boring stoner riff imaginable, this is actually a brand new thing. Suffocatingly vile and planetarily heavy, this is the answer to the unasked question "what would happen if Sunn 0))) were from New Orleans. Foul and Defiled by Coffin Lurker

Trumpet of Amdusias

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